Description
The impact of the eleven sound poems, or poetry tracks, derives less from intentional meaning and symbolism than from fortuitous coincidences, cut-ups, and flashes of inspiration in the course of handling the audio material. Rather than a composed narrative the tracks reflect the inner reality of the authors Burnt Friedman and Daniel Dodd-Ellis.
Moods and impressions from B. Friedman’s Sub-Saharan concert tour in 2013 as well as fragments of memories of an imaginary future fuse together in the music and text of all eleven tracks. These responses to real-life “kpafuca” (“things falling apart”) – conditions in African metropolises – collapse into grooves and phrases reminiscent of Chris Marker’s sci-fi apocalypticism (La Jette, Sans Soleil).
